 |
| the Flying Rainbow Tower |
The
Guangsheng Temple was set up in the first year (147) of the Jianhe reign of the
Eastern Han Dynasty (25-220). It was originally named Julushe Temple and got the
present name in the Tang Dynasty (618-907). The temple was damaged in an
earthquake in the 7th year (1303) of the Dade reign of the Yuan
Dynasty (1271-1368), and was rebuilt in the following years. It experienced
several repairs during the Ming and Qing dynasties (1368-1911), but most
buildings kept the architectural style of the Yuan Dynasty. The temple leans
against the mountain and faces a river. Old trees shelter it, the Huoquan Spring
gushes beneath the rocks at the foot of Huoshan Mountain, and green hills and
clear waters compose quiet and beautiful picturesque scenery. The temple is
divided into three main parts: the upper temple, the lower temple and the Water
God Temple. The upper temple is on the top of Huoshan Mountain, surrounded by
green pines and overwhelmed by ancient towers. It has some colored glaze
components, making it magnificent and splendid. The lower temple lies at the
foot of Huoshan Mountain. It is built to the landform of Huoshan Mountain, so it
can be seen here and there with one higher than another, forming an interesting
picture. The Water God Temple is next to the lower temple. Their walls are
connected with each other. The Statue of Ying, emperor of the Ming Dynasty, is
enshrined there and frescoes about Yuan Dramas in the temple are well known at
home and abroad.
The upper temple consists of the temple
gate, the Flying Rainbow Tower, the Amitabha Hall, the Great Hall, the
Vairochana Hall, the Kwan-yin Hall, the Ksitigarbha Hall and wing-rooms,
corridors, etc. The Temple Gate is in the front part, with two guardian warriors standing on both sides. Inside the
Temple Gate is the huge Flying Rainbow Tower built of colored glaze bricks. It
was first built in the Eastern Han Dynasty (25-220) and experienced several
repairs later. The existing one was rebuilt in the Ming Dynasty (1368-1644). It
has thirteen storeys with a height of 47.31 meters, and its plane is octagonal.
The whole tower was decorated with tri-colored glaze of yellow, green and blue,
splendid and colorful. Beneath the eaves there are wooden square blocks inserted
between the top of a column and a crossbeam, as well as pillars and delicate
carvings of Buddha, Bodhisattvas, guardian warriors, flowers, birds, animals and
other designs. There are corridors around the first storey. The tower has
nothing inside but the stairs leading to the tenth floor. The style is marvelous
and is a fine work of colored glazed towers in China.
The Amitabha Hall is behind the tower. It is
5-bay wide, 4-bay long with single-eaved gable and hip roof. Main statues inside
are three dignitaries: Amitabha Buddha, Manjusri
Bodhisattva and Vajrapani Bodhisattva. These statues are so exquisite
that they are the masterpieces of the Ming Dynasty. The wall in the east side
and the screen wall are carved with frescoes. 4,000 volumes of the Pingshui
version of Tripitaka of the Huangtong reign in the Jin Dynasty
(1115-1234) were treasured up here. They are now preserved in the Beijing
Library as rare material information for study on the history of Chinese
printing.
The Great Hall is 5-bay wide with
single-eaved gable and hip roof. There are three niches inside for wooden
statues of Sakyamuni, Manjusri and
Samantabhadra. These statues are properly proportioned, plump and perfectly
calm. The eighteen iron arhats along two sides and the statues of Kwan-yin and
Amitabha Buddha on the back of the niche were all added in the Qing
Dynasty.
The Vairochana Hall is 5-bay wide with hip
roof. The two gables are supported by big crawling beams. Such special style is
the typical architecture of the Yuan Dynasty. There are statues of three Buddha
and four Bodhisattvas on the altar in the hall, surrounded by wooden niches with
35 iron statues in them. Frescoes of Sakyamuni and
twelve Bodhisattvas of Perfect Enlightenment on the back wall are the
best.
The lower temple is made up by the temple
gate, front hall, back hall, the buttress hall and other buildings that were all
built in the Yuan Dynasty. The temple gate is rather high. It is 3-bay wide and
3-bay long with single-eaved gable and hip roof. Canopies added to the front and
back eaves make it like a pavilion with double eaves. The front hall is five-bay
wide with only two pillars supporting the whole hall. The back hall was built in
the second year (1309) of the Zhida reign of the Yuan Dynasty. It is 7-bay wide
with 9 purlins, 8 rafters and a single-eaved overhanging gable roof. The main
statues in the hall are Amitabha Buddha, Sakyamuni Buddha, Bhaisajyaguru Buddha,
Manjusri Bodhisattva, and Samantabhadra Bodhisattva. They were all made in the
Yuan Dynasty. Frescoes were once covered on the walls, but they were stolen and
smuggled to other countries in 1928. Now they are kept in the Naerson Museum in
Texas, US. The fresco on the south wall recorded the performance of Yuan Drama.
It is rare reference material for study on Chinese dramas.
The Water God Temple has two yards: the
front yard and the back yard, and includes the Temple Gate, the Door of Amenity,
the Ming Ying King Hall and wing-rooms of cave dwellings. The Ming Ying King
Hall is 5-bay wide and 5-bay long with a cloister around and a double-eaved
gable hip roof. Beams inside are of common style. The hall houses statues of
Water God Ming Ying King and his eleven attendants. Their facial features,
clothes and gestures are all of Yuan style. Frescoes about people praying for
the rain and other historical stories covered the walls, occupying an area of
197 square meters. The pictures of dramas at the eastern end of the south wall
show a complete set of stage property for the performers: costumes, stage
instruments, musical instruments, makeup, curtain, stage, and so on. The drawing
was strictly arranged, the color was simple but profound, and dramatis personae
were expressive. This fresco reflects the true condition of Yuan Drama in its
peak time; it is a rare fine work of Yuan frescoes in China.