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Hanging Temple
The Hanging Temple is located
on the crag of Jinlongkou west cliff at the foot of Hengshan Mountain, 5
kilometers to the south from Hunyuan County, Shanxi Province.
Hengshan Mountain is known as the North Mountain of the Five Sacred Mountains
in China. The Hanging Temple was built on the Jinlong Valley at the foot of
Henshan Mountain, which is 80 kilometers away from Datong City. According to the
History of Hengshan Mountain, the Hanging Temple was first built at the end of
the Northern Wei Dynasty (about the sixth century). It was said to be built by a
monk named Liao Ran in the Northern Wei Dynasty. It has a history of more than
1,400 years. After many times of repairs, the Hanging Temple had a large scale,
and became a rare high altitude building in China, known as a high building on
cliff.
All buildings in the temple were hung on the crag at the slope of Hengshan
Mountain. The buildings stand vertical to the cliff, and the peak of the cliff
seems upside down. Seen from upwards, the whole building seems that it just
sticks to the cliff. Facing south to Hengshan Mountain, the temple is under the
crags and on the cloughs, with red walls and gray tiles. Strew at random and
spread in the air, it just like a flying little phoenix. The buildings are
arrayed in a line from the south of the cliff to the north, and heightened
gradually like a dragon pronating on the cliff. More than forty halls, rooms and
pavilions in the temple are divided to three groups. Passing through the temple
gate, one can reach a two-storeyed building. As the stele pavilions and the gate
towers, two tall buildings stand face to face in the yard. There are two bell
and drum towers on both sides of the temple gate, and they are square side
pavilions. The principal building among them is the Sanguan Hall, a place to
offer sacrifice to Taoism. Statues in the hall are vivid, with undecorated
faces, black eyebrows and swaying gussets. The principal building in the central
party is the Sansheng Hall, which enshrines sitting Buddha statues with
disciples standing submissively on the sides. The last building complex is
mainly the Sanjiao Hall, the highest one in the temple, and has a three-eave
gable and hip roof with nine ridges. Statues of Confucius, Laozi (a scholar in
ancient China) and Sakyamuni the founders of Confucianism, Taoism and Buddhism
respectively, are enshrined in the hall. Different cultures directly encounter
one another here. This building is a perfect combination of religion and culture
of Chinese feudal society. The statue of Sakyamuni stands in the middle, that of
Laozi on the right and Confucius on the left, with different expressions.
Displaying the innermost being of three founders of different doctrines,
techniques of statuaries are really exquisite and are acclaimed as the peak of
perfection.
The Hanging Temple was designed skillfully and constructed audaciously. The
method is to chisel a horizontal hole in the cliff, and then put a beam through
the hole out of the cliff, at last put board and pillars on the beam to build
various beam frames and roofs. Balusters are set around all the buildings
outside the cliff. Looking from the top of the mountain, visitors can see some
impending wooden poles under the buildings that are far from the cliff. These
wooden poles are set to protect the buildings. The temple was arranged in random
from north to south, with a bluff inside and devious plank roads built along the
face of the cliff. Beam frames are harmonious up and down, and balusters are
connected to each other, with appropriate density, like one integrated mass.
Seen from the buildings, it looks as if facing an abyss; seen from the bottom of
the valley, the cliff is lofty like a rainbow; seen from the opposite side over
the valley, it looks like a young flying phoenix on the cliff. It is just like
what the inscription on the cliff of plank roads reads, People are more creative
than nature.
There are all sorts of inscriptions, poems and another 78 statues of
Confucianism, Taoism and Buddhism made of copper, iron, clay and stone, which
are valuable cultural craftworks.
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