Welcome to the jungle (2007-10-07)
If you had to decide, which one would you choose:
your childhood sweetheart or your to-be husband? This is a question that Jin Zi
and Chou Hu struggle with. The moment they decide to run away together into the
forest, this interlude of crazy and strange love becomes doomed. But in the
wildness where the unfortunate couple die, humanity is liberated and hope is
born.
Led by the esteemed actor Li Baochun, the Taipei-based Li-yuan Peking Opera
Theater will present The Wildness, adapted from Cao Yu's masterpiece, to the
Poly Theater in Beijing on Saturday and Sunday.
The performance is a highlight of the on-going Beijing Music Festival, which
is celebrating its 10th anniversary.

A scene from The Wildness features
Jin Zi (played by Huang Yulin) and Chou Hu (played by Li Baochun). File
photo
Unlike his other two masterpieces The Thunderstorm and Sunrise, that describe
urban life, Cao set The Wildness in the countryside.
It tells the story of Chou Hu, who is wrongly imprisoned after being framed
by Jiao Yanwang, a tyrannous landholder. Jiao also murders Chou Hu's father,
forcibly takes possession of his family land, sells his sister to prostitution
and takes Jin Zi, Chou Hu's sweet love, as his daughter-in-law. Chou Hu comes
back to the village to exact his revenge on Jiao, but finds him dead. Jiao
Daxing, his cowardly son and Chou Hu's boyhood friend, is there to support the
family.
Disillusioned and depressed, Chou Hu kills Daxing and tricks Daxing's blind
mother into beating Daxing's only son to death. He escapes with Jin Zi into the
dark forest but soon becomes deranged and is shot dead by police.
Unfamiliar with rural life, Cao chose not to focus on class struggles, nor
did he simply write about hatred. He employed modern expressionism, influenced
by O'Neill's Emperor Jones, to portray the painful struggle inside Chou's heart
and his awakening self-consciousness.
The Wildness is the most difficult of Cao's works to put on stage because of
its many sketches of the confusing inner world of the protagonist and the
violent environment that reflects the conflicts between the characters. It has
been adapted for film, drama and Chinese operas. However, few have been
successful and most interpretations fail to satisfy audiences and critics.
"Actually, the play is more suitable for opera. The rising and falling tunes
in singing can better transmit the torture and depression of the characters,"
says Tian Benxiang, a drama researcher and Cao's student. He suggested The
Wildness when the Li-yuan Theater told him they wanted to present Cao's works to
commemorate the 10th anniversary of the master's death last year.
"Our play relates to true sentiments, the most extreme yet humane feelings in
the world, through the thick and broad wild, the love fantasy in the sun and the
bewilderment when the night falls upon the forest," says Li Baochun, the play's
director and lead actor.
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