Architecture and Hierarchy
Ancient Chinese
architecture styles vary greatly, depending on the social class an
individual owner belonged to. For instance, totally different from the commoner
architecture, the Forbidden
City -- the most magnificent Quadruple in China -- is a typical example of
imperial omnipotence.
Imperial Palaces

The Forbidden City
The imperial palace of ancient China is a miracle in world architectural
history. Take the Forbidden City for example, especially concerning its use of
colors. Since yellow is the imperial color, the most noticeable are the yellow
roof
tiles, while the wooden columns of the buildings as well as the surface of the
walls are red in color.
Another important feature of the Forbidden City is its emphasis on symmetry,
which connotes a sense of grandeur. Even the style of the roof shows the power
of the sovereign, with the ridges engraved with the immortal or beasts
symbolizing stateliness.
The overall arrangement of the Forbidden City accords with traditional
Chinese ritual requirements and the Yin-Yang Principle. It boasts five
distinctive features:
First, the front part is a place for the emperor to handle official
businesses, and the rear part is the residence for emperors and concubines.
Second, within the complex there are several immense courtyards divided by
individual gates.
Third, there is a shrine for the ancestors in the east and another one for
the agricultural deities in the west.
Fourth, the structure is symmetrical.
Finally, in addition to the palaces, there is still a fabulous garden for the
imperial family to relax themselves.
Residential Buildings of the Royal
Relatives

Prince Gong's Palace
Compared with the imperial palace, residential buildings for the royal
relatives seemed less solemn and much smaller in size and scale. There were less
sidesteps in front of gates, and instead of the colored-glaze tiles peculiar to
the imperial palaces, green and gray ones were employed. Also, ridges could be
decorated with engraved beasts; however, the number of beasts could not exceed
nine because the number "nine" carried a special significance in old China and
symbolized the emperor's supreme sovereignty.
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