After the founding of the People's Republic of China in 1949, the local government of Xinjiang made every effort possible to preserve the Twelve Muqam. In 1956, Muqam master Turdi Ahun and musician Wan Tongshu, working with other assistants, took great pains to record most of the vocal melodies and librettos of the Twelve Muqam on tape. They also recorded the music by hand. Their efforts paved the way for the renaissance of this cultural tradition. In 1960, two volumes of Twelve Muqam sung by Turdi Ahun were published. The oral cultural heritage was finally secured in the form of its first publication.

Over the past two decades, local Xinjiang cultural institutions have sponsored seminars, supported research projects, and published a number of books with the Twelve Muqam as the focal theme. In the last four years, 7,000 performers -- many of them Uygurs -- have participated in the national key publication project. Their concerted efforts have resulted in the release of CDs, VCDs, and DVDs of the Twelve Muqam of Uygur.