Qing

The qing is the oldest ethnic musical instrument. It is designed finely, and carries with it an ancient flavor. In the far ancient society when the female played the leading role (matriarchal society), this instrument was called shi and minqiu, meaning stone and ringing ball respectively. At that time, people lived on fishing. They enjoyed themselves after the labor work by dressing themselves in the images of wild beasts, dancing and knocking on the stones.

The qing was first performed in the civilian music and dancing activities. Later, like another ancient musical instrument called the bianzhong, it was used to play some graceful music when the ancient governors sent troops for wars and offered sacrifices.

In terms of where and how it was performed, the instrument is divided into two groups. One was performed when the emperors held a memorial ceremony for the god and ancestors. The other, called bianqing, was used in royal music performance. Bian here means being bound together, in which a number of qing are grouped together and hung onto the wooden frames. During the Warring States Period (475-221BC), the making craftwork of the Chu state reached a relatively high level.

In August 1978, a royal tomb of more than 2,400 years was discovered in Central China's Hubei Province. More than a 120 pieces of instruments and cultural relics were dug out from the tomb. There were altogether 32 qing pieces, which were hung in upper and lower lines. They were made of limestone, bluestone, and boulder. The sound was bright and clear. It was a pity that most of them were broken, and so cannot produce any sound.

In 1980, the museum of Hubei Province and the Wuhan Institute of Physics worked together to duplicate those instruments found in the tomb. The sounds produced by the new were basically the same as the original ones. The tones were moving and graceful.

In 1983, the Dance and Sing Ensemble of Hubei Province created a set of stone-made bianqing with 32 single pieces.

In September 1984, an ethnic instrument-designing factory and a boulder sculpture mill in East China's Suzhou again developed a set of bianqing with 18 single pieces.

 Chime Bells

Chime bells, or bianzhong, were an important percussion instrument in ancient China. Chime bells are divided into one or more groups in which there are dozens of big and small bells, each with a different tone. Although the forms of the bells are different, as they developed in different years, there are fine designs on all of them.

In the early the Shang Dynasty (16-11th century BC), there existed serial bells, which were made up of three bells. Along with the development of the times, the number of bells increased. The ancient instrument was used in royal performances, while it was unpopular among the folk people. During wars, royal meetings, and sacrifices, people would play it.

In ancient China, chime bells were an exclusive musical instrument for the upper class. It was regarded as the symbol of power and social class. Recently, pieces of ancient bells have been discovered in the royal tombs in Yunnan, Shanxi, Hubei, and other provinces throughout the country.

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