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Four Calligraphers
As an imperial graduate, Huang Tingjian also served in the government and
involved himself in various political activities. His most important
achievements lay in poetry, and he attached great importance to reading and
check the source of material. As he once said, "Every character has its origin."
He was the initiator of the Jiangxi school of poetry, which had significant
influence on later Practitioners. Though best known for his achievements in
poetry, he was also a great calligrapher, highly skilled in xingshu
and caoshu
. Huang first studied calligraphy under Zhou Yue, and later learned much from
the calligraphic works of Yan Zhenqing, Yang Ningshi and Zhang Xu. He developed
his own style -- robust, open and vigorous.
His most acclaimed handwritings have survived the challenge of time, and
include Pine Wind Pavilion
, Fragrance of Flower, and so on.
Mi Fu
Mi Fu, also named Mi Yuanzhang, was born in Taiyuang of Shanxi
Province and later took residence in Zhenjiang
of Jiangsu
Province . Due to his eccentric disposition and crazy behavior, he was given
the name of Mi Dian (Crazy Mi). For example, he would adore every stone he came
upon, calling it brother. Boasting proficiency in poetry, painting, calligraphy,
collection and authentication, Mi Fu was given the title of a poet, painter,
calligrapher, collector and connoisseur.
Among his various titles, Mi was best known as a calligrapher for his hard
work and great achievements. As a small boy, he studied kaishu
calligraphy of the Tang
Dynasty very hard by imitating the works of Yan Zhenqing, Liu Gongquan and
so on, laying a solid foundation for his later breakthroughs. When Su Shi was
demoted to Huang Zhou, Mi went to visit him for instruction. Su encouraged him
to learn from calligraphic works of the Jin Dynasty. From then on, he set his
heart on the Jin calligraphy and accomplished a lot. The Zhong Qiu Tie by Wang
Xianzhi extant today was said to be an imitation of his, much like the original
version in both appearance and spirit. Claiming his calligraphy was a collection
and ancient characters, Mi had deep understanding of handwriting and the art of
composition as well as the flavor and tone of the ancient masters' calligraphic
works. Different from the other three calligraphers, Mi did not involve himself
into the political arena and led a relatively peaceful life.
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