Expert's View: WTO Impact on China's Culture Industry
Zhang Xiaoming, a researcher of the Cultural Research Center of Chinese
Academy of Social Sciences, said that promoting the development of the culture
industry is an important strategy for China in answering the new wave of
technological revolution and upgrading of industrial structure after its WTO
entry. China's culture industry will see some changes after the WTO entry.
First, the government's traditional way of administering culture will see a
fundamental change. The WTO is the only international body dealing with the
rules of trade between nations. At its heart are the WTO agreements, negotiated
and signed by the bulk of the world's trading nations. These documents provide
the legal ground-rules for international commerce. Although negotiated and
signed by governments, the goal is to help producers of goods and services,
exporters, and importers conduct their business. The WTO trading system has
included cultural business into services trade; thus China has to separate part
of its cultural affairs covered in the WTO documents from the country's
institutional system and introduce industrialized operations into the culture
industry.
Second, Chinese traditional cultural institutions mainly depend on government
lending and have meagre production capacity and do not have competitiveness at
all. After China joins the WTO, the most urgent task for its culture industry is
to promote structural adjustment and market conformity, optimize industrial
upgrading, and increase scale benefits through in-depth reforms, thus shifting
the operation and growing modes of the culture industry from dispersed and
extensive type with a large quantity to pooled and intensive type with high
profits.
Third, China's accession to the WTO will transform the organizing pattern of
cultural enterprises from subordinate of administrative departments to market
bodies. Large-scale cultural giants will emerge through alliances, mergers and
acquisitions, realizing group operation that crosses industries, borders, medias
and ownerships.
Fourth, the domestic and international markets will be closely connected
after China's entry into the WTO. But China's culture industry has not got ready
to compete with international cultural giants yet and this calls for the
concerted efforts of the State, collectivities and individuals. Only with
harmonious development between culture and non-culture industries and full
amalgamation of cultural product market and cultural capital market can China's
culture industry roll its hoop and survive the competition.
Pressures also come from inflow of foreign cultural products, cultural
capital and value judgment, which will constitute a threat to Chinese cultural
development. Therefore, successfully meeting all these challenges require
concerted efforts from the government and all cultural enterprises, collective
responsibility of the whole nation and a policy system centered on
multi-ownership investment bodies as well.
(Source: China News Service)
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