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Kunqu Opera
The scene is an excerpt from The Peony Pavilion, written by Tang Xianzu who
lived in 16th century and is now known as "China's Shakespeare." Kunqu Opera is
now becoming the object of renewed interest although it has long being
threatened with extinction. Since 2001 when Kunqu Opera was proclaimed as a
Masterpiece of the Oral and Intangible Heritage, the traditional performing art
has experienced a rebirth in the past few years. Four classical plays, including
The Peony Pavilion, have been restored and updated.
The Peony Pavilion tells the tragic tale of Du Liniang, who dreams during a
walk in the park that she meets and falls in love with a young man. Unable to
live her dream in reality, she falls mortally ill and, as she is dying, asks to
be buried in the garden where she met her beloved. Later, Lui Mengmei, a student
on his way to the capital, passes in front of Du Liniang's house and asks to
spend the night there. As he sleeps, he dreams about the young girl. Revealing
to him that he is the one her heart desires, she asks him to open her coffin.
Liu Mengmei does so and Du Liniang comes back to life.
Since 2004, this updated version of the play, produced by Bai Xianyong, one
of China's best-known contemporary authors, has been staged in a dozen
universities in China. Teachers and students can buy tickets for as little as 10
yuan (US$1.23). Each time the performance attracts a large audience who praises
the opera as being very sweet, graceful, and profoundly touching.
Action plan
The Opera Research Institute of the Chinese Academy of Arts maintains a rich
collection of written and audiovisual resources and conducts research into a
wide range of areas.
The State funds seven permanent theaters, which specialize in Kunqu Opera and
encompass a total of 500 practitioners. Two of these theaters also offer
classes. The action plan aims to publish a complete edition of the texts of
Kunqu Operas since the Ming era, to produce an archive of the expertise of
elderly actors through video recordings and to revive those plays which have not
been performed for a considerable time.
Furthermore, the actors training program needs to be strengthened to allow an
intake of around 10 students per year and to be widened to incorporate training
for technical experts, researchers, and directors.
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