Stairway to Heaven - Hani Terrace
The four-elemental (forests, villages, terraces and rivers) structure is one
of the quintessential ways of living for traditional agricultural civilizations,
which is valued around the world. It is also a good research sample to promote
the living conditions of modern human beings.
The complete developmental history and well-preserved ethnic culture embodied
in the Hani Terrace is also a good case for international ethnological research.
The selection of the village site and the overall arrangement and unique
construction of the terrace create an unparalleled aesthetic and have a special
significance to village layout. The Hani Terrace, still providing the basic
needs to local people today, demonstrates the extraordinary continuity of their
cultural heritage.
'Magic mountain sculptors'
According to the earliest written records, the Hani Terrace began to emerge
in the Yuan Dynasty (1271-1368). At the end of the Song Dynasty (960-1279) and
the beginning of the Yuan Dynasty, as a result of the chaos caused by war, Hani
ancestors moved from the northern to the southern banks of the Honghe River to
build terraces on the surrounding mountains that were generally 1,300-1,800
meters above sea level. This is the basic outline of modern terraces.
The Hani have henceforth been passing on their traditional ways of life year
after year, and generation after generation. In the Ming Dynasty, the Han
brought advanced technology, which helped build the large-scale terrace
landscape in the mountains about 700-1,800 meters above sea level.
One emperor in the Ming Dynasty once called the Hani 'Magic Mountain
Sculptors', a name that is still in use today.
Author: Jeff
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