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Mystery and Dignity, Chinese Traditional Metal Art
Sometimes, you may come across several archeologists carefully working in a
pit, who eagerly hope that a world acclaimed discovery may be made someday. They
really need such "accidental" events to inspire them. Not long ago, some 20
bronze wares were unearthed "accidentally" in Shaanxi. What makes archeologists
exciting is there are more than 1,000 inscribed characters on those bronze
wares, which are very rare in previous excavations. Those inscriptions surely
add some concrete evidence about the history of that time and historians are
eager to define the time span of Chinese civilization from those inscriptions.
But under the silence and paramount dignity of bronze wares, historians look
extremely helpless.
I like that square din with the human face
pattern. It is believed to be the only human figure bronze tripod ever
unearthed. It looks more kind than those horrible, mysterious food pattern
vessels. Who is this human figure? Is it ancestral tribe chieftain Yao or Yu or
some king of the time? We have no answer. But looking at his sad but solemn
face, I cannot help showing my worship. It is the face of our ancestor. His
blood is running in our arteries and part of our genes was rendered by him.
With respect to gold and silver wares of the Tang Dynasty (618-907AD), there
is no mystery at all. The Silk Road, as we know, made the Tang Dynasty (618-907
AD) the most prosperous empire in the world at that time. Gold and silver wares
are full of exotic features, which show inclusiveness and affinity of Chinese
culture. But unfortunately, those exquisite arts and techniques have not been
handed down, partly because Chinese people have not appreciated gold, which is
quite different from Westerners. Chinese people like purea gold and cannot
tolerate impurity. They look at gold more as a currency than as an artistic
material. For Chinese people, stone may be more precious than gold, as confirmed
by an old saying: "Gold can be priced, but stone is priceless." For centuries,
Chinese people's concepts on material have always been sustained by mysterious
beliefs and natural forces.
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