Beauty is in the Eye of the Beholder-Women in Chinese Painting
China has a long history of using women as objects d'art since the Warring
States and Western
Han Dynasty when people painted female figures on silk.
Each time in history has its own idea of 'beauty' and from early times
artists have recorded their particular version of 'beauty'. Artists in China are
no different. Throughout the ages, the image of the 'ideal' beauty has been
subject to the trends and politics of the times, and through their legacies we
can gain a better understanding of Chinese history.
Even though paintings of women were common, women did not gain respect
because of it. In the paintings women are only beautiful objects to show or
admire. It is possible to link the growth of women depicted in art and a
lowering of their social status.
Southern and Northern Dynasties
The early stages of traditional Chinese depictions of beauty began in the
Southern and Northern Dynasties (420-589). Virtuous women and fairies composed
the main subjects in these paintings, and they generally came from literary
works.

Luoshen Appraisal Painting
"Luoshen Appraisal Painting" by Gu
Kaizhi Eastern
Jin Dynasty (317-320) is a good example. Its theme was drawn from the story
Luoshen Appraisal, penned by the famous writer of the Three Kingdoms (220-280)
Cao Zhi, who was forced to part with his lover. Luoshen is the Goddess of the
river Luo.
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