Interview of Tai Lihua
Q: Do you get any special pleasure from dancing? A: Dancing is a part of
my life. It makes my world more colorful.
Q: Isn't it extremely boring to remember all the beats when you dance? A:
For a deaf, yes. It's rather difficult to remember all the beats especially that
of such a long and ever changing piece of music like The Thousand-handed Goddess
of Mercy. But I have no other choice. Hard work pays.
Q: The countenance of the Goddess of Mercy is hard to grasp. How did you
manage it? A: Director Zhang gave me a lot of information including
some illustrations about the Thousand-handed Goddess of Mercy. After reading
them, I could dance with a kind of affection. The Goddess herself is kind
hearted. Though we are deaf, we try to send this special love to all the people.
Q: What's on your mind when you were performing on the stage? A: I didn't
think much. Together with the other 20 dancers behind me, we tried to give the
best performance.
Q: I know you love drawing. Does it help you in one way or another when you
dance? A: For me, dancing is the best way to express myself. It's the most
beautiful language in the world. Painting is static while dancing is dynamic. I
can always imagine the music I "hear" and draw it down on the paper.
Such a combination helps to improve my performance.
Q: A good dancer would direct a dance. If you are given a new piece of music,
how could you direct it? A: I need the help of a sign language teacher;
otherwise I won't know the rise and fall of the tone. All the dances now are
directed by the normal people. I want to create a special form for all the
disabled to enjoy the fantastic dancing, that is to say, the blind could
"watch", deaf and mute could "hear" and the crippled could "perform".
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