|
Kunqu
Kunqu,
or Kunshanqiang, first appeared in the late Yuan
Dynasty (1271-1368), some 600 years ago, in the lower Yangtze Valley. It was
one of the earliest genres of drama and named for its birthplace, Kunshan, near
the city of Suzhou
in today's Jiangsu
Province of East China. Carrying forward the tradition of ancient poetry and
common speech, it is of very high literary value. It has a rich traditional
repertoire.
The development of Chinese opera music went through three stages. In the
early days, the songs were composed of long and short lines. The singer sang
solo, and the orchestra only came in at the end of each line. Only percussion
instruments were used. Later, Kunqu music was the result of refinements
made by musician Wei Liangfu in the mid-16th century.
In the Ming
Dynasty (1368-1644), reformed by Wei Liangfu during the reign of Emperor
Jiajing, Kunqu became mild, smooth, and graceful, and performers
attached great importance to clear recitation, correct singing, and pure tunes;
the composers wrote the musical scores after working out the tunes, and the
songs were written in seven-character or ten-character lines. Three types of musical
instruments (stringed instruments, bamboo
flutes , and drums and clappers) formed the accompaniment. Kunqu
had 12 roles, and all the characters other than Zhengsheng and
Zhengdan could play leading roles. Moreover, the Jing and
Chou roles were no longer those exclusively portraying foolish,
awkward, or stingy people.
Kunqu has a complete system of acting as well as its own distinctive
tunes. Its wide-ranging repertoire has many delicate and elegant tunes. The
orchestra consists of traditional instruments including the dizi,
a horizontal bamboo flute which plays the lead part; the xiao, a vertical bamboo
flute; the sheng, a mouth organ; and the pipa
, a plucked string instrument with a fretted finger board. Many Chinese local
operas are greatly influenced by its tunes and acting style.
The performance of the play Washing
Gauze made Kunqu famous throughout the country. Later,
Kunqu developed into a national opera genre.
|
|