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China's Film Industry: On the Up
As the weekend came, Zhang Chen, 21, began to plan
how to spend his leisure time. He decided that going to bars and karaoke parlors
seemed like good choices. "And for the rest of the time, I can watch movies," he
said, meaning watching pirated movies on a VCD/DVD (video compact disc and
digital videodisc) player. Going to the cinema seems to have never entered his
mind.
"I like American films and seldom watch homemade (domestic) films. But going
to the cinema takes time. The tickets are a little expensive for me. I went to
cinema only when I was eager to ask my girlfriend out for the first time. Now,
we watch DVDs together," said Zhang, a college student in Beijing
.
Zhang is one of millions of Chinese moviegoers who, for various reasons, have
long abandoned the habit of going to the cinema to watch films, especially
domestic films, which were once the most popular entertainment among Chinese
people.
To lure movie buffs like Zhang back to cinemas to watch homemade films, China
has been making great efforts to reform its film industry in recent years, some
of which have already begun to pay off.
According to the State Administration of Radio, Film, and Television (SARFT),
China's mainland gross box office reached 1.5 billion yuan (US$180 million) in
2004, while the number of films screened rose by 50 percent to 212. Besides,
2004 was the first year in China's filmmaking history that the top 10 domestic
films out-performed blockbusters imported from abroad. SARFT predicts the gross
box office of China's mainland film industry will exceed 2 billion yuan (US$242
million) this year.
During the period of the Chinese Lunar New Year, two domestic films, both
festive big-budget comedies -- Steven Chow's Kung
Fu Hustle and Feng
Xiaogang 's A World Without Thieves -- outperformed foreign imports, with
takings of more than 100 million yuan (US$12 million) each.
Many industry analysts believe that the success of the box office in 2004 and
of films shown during this year's Chinese Lunar New Year is only the tip of the
iceberg, compared to the huge market potential in China. As China celebrates 100
years of filmmaking, many hope for 2005 to be a year marked by the accelerating
growth of an industry that has been slow to mature in the past decade.
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