The first generation of Chinese directors
The first generation of Chinese directors generally refers to about
one hundred film directors, represented by Zhang Shichuang, Zheng Zhengqiu, Dan
Duyu, Yang Xiaozhong and Shao Zuiweng, who were active from the beginning of the
20th century to the end of the 1920s.
As the trailblazers of Chinese movies, they created the first batch of
Chinese feature films despite the extremely crude and rough conditions as well
as the absence of previous films and experiences as reference. Among those
movies, a lot more or less expressed democratic and anti-feudalism thoughts as a
result of influences of the May Fourth Movement in 1919, which boasted the birth
of a new culture.
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The birth of Chinese film
Film first came to China when some French movies were featured in East
China's Shanghai
Municipality on August 11, 1896 - less than half a year after its birth in the
world. People at the time were astonished by the novel invention and thus named
it "screened opera."
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Features of early films
Chinese movies in the first 30 years established the economic and
technological foundations for its later development, though the first attempt of
making movies was for commercial speculation purposes. The first thriving period
of China's movie industry, in the 1930s, was grounded on this foundation.
The movies in this early stage generally borrowed from other art forms,
especially operas. Meanwhile, they also explored and mastered some basic rules
and expressions, accumulating precious experiences. However, the intense
commercial speculation profoundly limited the movie industry's development. The
expression of serious content and art forms were both impossible under such
conditions.
Author: Jeff
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