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Quyi Music of China's Ethnic Groups
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Tuole'ao of Hasake Ethnic
Group | China is a country of multi-ethnic groups.
Its 55 ethnic minorities are diverse and colorful due to their different
history, physical environments, ethnic cultures, linguistic rhymes, and
folklores and customs. The popular ones are dabenqu ofBai Ethnic Group; gesa'
erzhong, lama mani and zhege of Tibetan Ethnic Group; wuliger, and haolaibao
of Mongolia Ethnic Group; dasitan
, kuxiake and laipair ofUyger Ethnic
Group; kesa, ayitesi and tie5 ermai of Hasake Ethnic Group; pansuoli of Korean
Ethnic Group; molun, changshi and buya ofZhuang Ethnic Group; yimakan of Hezhe
Ethnic Group; junpipa ofDong Ethnic Group; gabaim and guoha of Miao Ethnic
Group; fenpengrao ofBuyi Ethnic Group; ganhaganpai of Dai Ethnic Group; and
Jiasu of Yi Ethnic Group. Among these diverse genres, some have some have
existed for a long time and have their own traditions; others come into being
under the influences of the opera music of Han people or other Minorities.
Ouyi music of minorities is characterized by strong local flavors and ethnic
cultures. Some of them are about stories of the minority and sometimes the
lyrics are ethnic epics. They are characterized by recitability, bright calm
rhythms and local styles. Some of them come from sacrifice ceremonies and are
connected closely to local with strong rhythms and melodiousness. They are
performed in the form of singing and dancing or playing instruments while
singing. Some of them come from folktales, myths or folklores and the tunes
mainly come from folk songs. They are characterized by beauty and passion. Some
lyrics come from inprovisational eulogies or praises and are characterized by
smoothness, liveliness and humor, and are very popular among their own ethnic
groups.
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