Any brush may be used, but recognize that transparent enamels tend to show brush marks. Take advantage of this by using the brush to create desirable patterns and textures. (Opaque enamels are less likely to exhibit this trait.)

Once application is complete, the enamels should be allowed to dry prior to being kiln-fired. Enamels will mature at various temperatures, with opaques generally requiring higher temperatures (around 1450 degrees Fahrenheit) and transparents needing only to be fired to around 1200 degrees Fahrenheit. For enamels that fire at this lower temperature, it is possible to both slump and fire on enamels in the same firing. Many of these lower-firing enamels contain lead, so care should be taken not to use them on food-bearing surfaces.

It is possible to achieve significantly different results by varying the method of brush application. The enamels can be mixed very thin and splattered onto the glass. They can be applied, allowed to dry, then scratched partially off to yield interesting patterns. Often, the best results come from very thin applications and multiple firings; thicker applications tend to result in a dark, muddy appearance.

Also, many glass artists use "reverse painting" techniques. This approach, which is contrary to "normal" painting techniques which start with the background and add details as a final step, starts on the backside of the sheet of glass. Working from the top layers to the bottom, successive layers of paint are added and fired until the picture is complete. Although the approach appears strange at first, it results in a work with an exceptionally clear and glossy surface.

Remember that when firing enamels you must follow the normal warm glass procedures to heat, anneal, and cool the glass to prevent cracking and thermal shock. Fired properly, the enamels will bond to the glass, resulting in a permanent, lustrous finish.

** Dry application

Glass enamels can also be applied dry. To do this, simply place a small amount of enamel powder in a sifter and sift. You can add interest by drawing patterns in the sifted powder or masking off a portion of the glass "canvas" to control where the powder goes.

If you work with glass enamels, it's a good idea to wear a mask to keep from inhaling the glass particles. This is especially good advice if you are sifting and working with dry enamels, which can easily become airborne.