Art Q&A > Opera
Advanced Search
E-Mail This Article Print Friendly Format
Tibetan Opera -- 'Living Fossil' of Tibetan Culture

 Lavish, flamboyant and over the top

Traditionally, the Tibetan Opera theater was an open circular space sheltered by a canopy, with the stage defined by a magical circle and central altar .

Over the centuries, the opera has formed a three-part stage process. In the prelude, known as "Wenbadun," Wenba men in blue masks, two Jialu men and several fairies take the stage to perform religious rituals and songs and dances, and introduce the actors and actresses. Next, a narrator explains the plot, section by section, as the opera is being performed, episode by episode. In the absence of a realistic setting and props, the narrator's words must conjure up the stage effects in the audience's imagination. Two musicians -- a drummer and a cymbalist -- sit on the side of the stage. An idiosyncratic drumbeat, accompanied by a specific dance step, identifies each character. The performance ends with a blessing ritual that features a blessing ceremony and is also an occasion to present hada and donations from the audience members.

Tibetan Opera costumes are very lavish, with rich brocades and a striking variety of masks and animal motifs. The musical score is created entirely by the drum and cymbals that punctuate every movement, and by the singing actors. The rapidly chanted narration alternates with the sung dialogues repeated in the chorus. The dance movements are refined, exaggerated and vigorous.

The highlight of Tibetan Opera is the mask. Located on the front of the mask is usually a motif, such as the sun or moon. The role of the actor can be identified from the type of mask he or she is wearing. For example, a red mask represents the king; a green, the queen; a yellow, Lamas and deities, etc.

Tibetan Opera call for skills in singing, dancing, elocution and the martial arts. Historical pageantry, myth and magic are woven together with earthly humor and scenes from the daily lives of ordinary people. The primitive simplicity and vigor demonstrated in the singing and dancing is effectively reflected in the typical Tibetan landscape backdrops.
Page: 123456