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Tibetan Opera -- 'Living Fossil' of Tibetan Culture
 Lavish, flamboyant and over the top
Traditionally, the Tibetan Opera theater was an open circular space sheltered
by a canopy, with the stage defined by a magical circle and central altar
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Over the centuries, the opera has formed a three-part stage process. In the
prelude, known as "Wenbadun," Wenba men in blue masks, two Jialu men and several
fairies take the stage to perform religious rituals and songs and dances, and
introduce the actors and actresses. Next, a narrator explains the plot, section
by section, as the opera is being performed, episode by episode. In the absence
of a realistic setting and props, the narrator's words must conjure up the stage
effects in the audience's imagination. Two musicians -- a drummer and a
cymbalist -- sit on the side of the stage. An idiosyncratic drumbeat,
accompanied by a specific dance step, identifies each character. The performance
ends with a blessing ritual that features a blessing ceremony and is also an
occasion to present hada and donations from the audience members.
Tibetan Opera costumes are very lavish, with rich brocades
and a striking variety of masks and animal motifs. The musical score is created
entirely by the drum and cymbals that punctuate every movement, and by the
singing actors. The rapidly chanted narration alternates with the sung dialogues
repeated in the chorus. The dance movements are refined, exaggerated and
vigorous.
The highlight of Tibetan Opera is the mask. Located on the front of the mask
is usually a motif, such as the sun or moon. The role of the actor can be
identified from the type of mask he or she is wearing. For example, a red mask
represents the king; a green, the queen; a yellow, Lamas and deities, etc.
Tibetan Opera call for skills in singing, dancing,
elocution and the martial arts. Historical pageantry, myth and magic are woven
together with earthly humor and scenes from the daily lives of ordinary people.
The primitive simplicity and vigor demonstrated in the singing and dancing is
effectively reflected in the typical Tibetan landscape backdrops.
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