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Wenzhou Ousu
Modern Ousu artworks have become much more varied to
include frescos, hanging screens, furniture and jewelry boxes. In 1972, the late
premier Zhou Enlai spoke highly of the "Shaoshan" -- an Ousu hanging screen placed in the terminal hall of the
Hangzhou
Airport.
Production
The basic ingredient of Ousu is a mixture of tung oil and
clay. The technique of pile sculpting is employed in making Ousu
artworks, which are used to decorate temples and fanes. In Ousu , folk
artists usually use pile sculpturing to create figures and sceneries on flat
plates or walls, much like with reliefs and paintings.
Characteristics
The most distinctive characteristic of Ousu is that it is
a combination of both sculpting and painting -- two different art forms with
their own distinct characteristics. Endowed with the benefits of round carving
and reliefs, in this sense it is sculpture art. On the other hand, it also
assimilated the techniques of Chinese and western painting, especially western
theories concerning the application of beam and color. Therefore, Ousu
also has a style unlike that of any sculpture.
Another obvious characteristic of Ousu is its strong
artistic communicability, which is achieved by employing colors to depict the
intensity of the beam, as well as the quality of the basic hue. This is similar
to the realist technique in western painting. From this point of view, Ousu is not only an ancient
folk art, but also a young modern art that gradually reveals itself.
Two Ousu artworks in the Great Hall of the People --
"Panorama of West
Lake
" and "Autumn Scenery of Yandang" --
respectively fully display the consummate workmanship and the rich techniques of
expression.
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