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Meng Jinghui: A Trailblazer of Chinese Experimental Drama
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The Profile: Bachelor degree from Chinese
Department, Beijing Normal University Master degree in Acting and
Directing Department, Central Academy of Drama Acted the leading role
in "The Rhinoceros" written by French playwright Eug¨¨ne Ionesco in
1987 Directed "Waiting for Godot" by famous French playwright Samuel
Beckett in 1991 Wrote and directed drama "Si Fan" in 1993 Wrote and
directed experimental drama "I Love XXX" in1994 Directed "Rhinoceros in
Love" and "Bootleg Faust" in 1999 The first movie "Chicken Poets"
debuted in September 2002 |
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Being a leading theater director in recent years, Meng Jinghui stirs up a
storm of "experimental drama" in China with his continuous efforts in the field.
To some extent, his name has become synonymous with "avant-garde" and
"alternative", but his plays have also been very popular in the small theaters
in Beijing, which enhances Meng's reputation of being both popular and
avant-garde.
Meng has created and directed more than ten plays. The most influential ones
include "Comrade Ah Q", "Waiting for Godot", "Accidental Death of An Anarchist",
"Rhinoceros in Love", "Si Fan", "The Balcony", "I Love XXX", and "Bootleg
Faust," etc.
However, as one of the most innovative theater director in China, Meng is not
satisfied with what he has achieved but endeavors to explore something new in
every new production. "We can't hold on to the past. We should always try new
things. Only when you make changes can you make progress." Meng noted.
In addition to the new ideas in all of his plays, he employs a lot of
techniques that were rarely used on stage before, which is also an integral part
of his experimentation. Electronic music, dazzling lighting and innovative stage
settings were all introduced to his plays in an effort to impress the audience
both mentally and visually.
Meng's editions of universally acclaimed plays are also with his own distinct
features. He is well known for making changes and adjustments to the play, often
on a daily basis. "Bootleg Faust", one of his latest stage creations, has been
transported to modern-day China and adapted accordingly, which is an ambitious
adaptation on the basis of the German classic. Well known for weaving
contemporary events and trends into his plays, Meng also employs a lot of
Beijing dialects in "Accidental Death of An Anarchist", which makes the play
much more vivid with Chinese characteristics.
Meng seeks drama topics from real life and often finds some originally
vigorous people growing old very quickly and being beaten down by life. On the
stage, he tries to express bravery and perseverance, so as to convey the
strength of the life force. His wife Liao Yimei, also his classmate in the
Central Academy of Drama, has been helping him greatly, and has written a
considerable number of Meng's works.
Anyway, his plays are no stranger to controversy. But it definitely has a
positive impact on the development of drama. The diversity of styles has
injected creativity and vigor into the field.
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