The most famous extant altar should
be Beijing's Tian Tan
(Temple of Heaven), or the Temple of Heaven, located on the east side of the front
gate in the south city of Beijing. The Temple of Heaven is a world-level artistic treasure, its
artistic theme sings the praise of the supreme "heaven", and all artistic
techniques aim to play up the solemnity and nobility of the heaven, gaining
extremely outstanding achievement.
It is the place where emperors of the Ming
and Qing dynasties (1368-1911) worshipped the heaven and was built in the 18th
year (1420) of the reign of Ming Emperor Chengzu. As Chinese emperors called
themselves Tianzi, or the son of heaven, they had to cede supremacy to
the heaven in terms of abiding. The altar, in a plane round shape, called
Huanqiu Tan (Circular Mound Altar), was rebuilt in the 17th year (1752) of Qing
Emperor Gaozong. The Qinian Hall (Hall of Prayer for Good Harvests) was rebuilt
in the 16th year (1890) of Emperor Dezong.
The Temple of Heaven has an area of 273 hectares, which is
five times the size of the Forbidden City, with a layout in two squares one inside the other. Two walls divide
the ground into the outer and inner parts. The outer wall is 6,416 meters long
and the inner wall is 3,292 meters long. The northern part of the outer and
inner walls is a semicircle and the southern part of them is square, declining
from north to south to symbolize the traditional belief that Heaven was high and
round and the earth was low and rectangular.
Walking eastward from the front
(west) gate, within the inner wall there is a Zhaigong (fasting-palace) in the
south for the emperor to fast and bathe before worshipping. Further east is a
north-south vertical axis formed by the main buildings. The five-meter-high
Circular Mound Altar is in the south with a three-layered stone terrace. Within
the Beiyuan courtyard of the Circular Mound Altar is a round hall or the
imperial vault where the spirit tablet of the heavenly god is placed. Going
further north, one can reach the Hall of Prayer for Good Harvests via
Danbi Bridge.
The Temple of Heaven uses ecological artistic technique to
give prominence to the theme of "heaven". For example, the density of structures
is very small, covered by large tracts of pine and cypress trees, creating a
strong atmosphere of solemnity and nobility. The inner walls are not in the
middle of the area enclosed by the outer walls, but rather they shift toward the
east, the vertical axis of the cluster of buildings also shifts eastward for
about 200 meters, thus prolonging the distance from the front gate. This helps
people feel they are removed farther from man's world and nearer and nearer to
the gods.
The Circular Mound Altar is crystal
white, setting off the holy, pure, empty and bright "heaven". Its two-layered
enclosed walls are only a little more than one meter high before the tall, large
round terrace, so as not to block the visual line. During the Ming and Qing
dynasties in early winter the emperor would come to this mound to pay homage to
heaven and pray for peace and a good harvest. The 400-meter long and 30-meter
wide Danbi Bridge, and the courtyard of the Hall of
Prayer for Good Harvests, also stand above the surrounding ground, for the same
effect. The round Hall of Prayer for Good Harvests is 24 meters in diameter, its
three-layered eaved pinnacle covered with green glazed tiles. Under this is a
six-meter three-layered, white stone round terrace with a total height of 38
meters. The green roof seemed to merge with the blue sky. All these are designed
to create a close relationship between man and heaven.
The Temple of Heaven widely uses symbolic and metaphor
techniques to play up the theme. For example, in many cases, a round plane is
used. The Circular Mound Altar uses the number 9 or the multiplication of 9 to
symbolize "heaven". The Hall of Prayer for Good Harvests uses numbers related to
the solar terms of agriculture.
Heart of Heavenly Stone
The Heart of Heavenly Stone placed in the
center of the top tier of the Circular Mound Altar. Around it there are nine
circles, each with nine stones, altogether 3,402 pieces. They are of identical
size and appearance and put closely together. They have remained intact during
the past several hundred years. When people stand on the Heart of Heavenly Stone
and shout echoes will be heard.
Echo Wall & Nine-Dragon
Cypress
The circular wall surrounding the Imperial
Vault of Heaven is 193.2 meters long, 3.7 meters high and 0.9 meter thick. If
one speaks against the wall at one end, another can hear his voice at the other
end of it. The Nine-Dragon Cypress outside the Echo Wall was planted 500 years
ago. Its twining branches look like nine dragons.