Performance Art
Can all human performances be defined as art? The
following is a brief definition of performance art: Using the body as the basic
material for performance to communicate with objects and environments through an
artist's own experience while expressing a non-visual aesthetic connotation.
Essentially, performance art is a form of art created by an artist's thoughts
and actions.
Performance art, which is a unique phenomenon in modern society, is rooted in
western culture. Its founder is a Frenchman called Kolaen, who created human
pens by falling from a tall building in 1961.
Performance artists express their views towards the world in exaggerated
ways. While many of their performances are beautiful, some are ugly; both are
uncommon in normal life.
Since performance art contradicts China's aesthetic perspective, moral
standard and social traditions, it has stirred much controversy. During its
development, some people choose extreme forms of self-expression, such as
self-mutilation and self-abuse, to challenge the limits of humanity and
morality.
Spreading from western countries, performance art emerged in China in 1985
during the Neo-Art Period. Young artists who opposed art and culture in the
1980s tried to obtain spiritual liberation, which ran against the spiritual
oppression of the Cultural Revolution.
Performance art in the 1990s was classified into two forms: social activities
joined by artists and individual performances exhibiting an artist's living
state.
The former involved many social aspects and a large number of participants.
However, since this kind of performance encountered resistance from society,
markets and law, thus became difficult to organize large-scale activities.
Artists, therefore, became more in favor of the latter. Some prominent
creations include: Zhao Bandi, who talked about environmental issues with a toy
panda; Su Yong, who courted plants on Valentine's Day; and Wang Jin, who married
a mule. Such behavior was considered quite grotesque.
As an art form in the multicultural society, performance art has entered our
lives naturally. However, when life is exhibited as art, we are surprised and
our sense and spiritual limits are greatly challenged. Performance artists
inquire via art: Who are we? What are we doing here and where are we going?
Performance art has made defining art difficult.
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