Guan Hanqing is a leading dramatist
of the Yuan Dynasty (1271-1368) who walked out of the capital Dadu (present-day
Beijing), but little biographical data on him exists. Some historical records
show that he might be a doctor of the imperial hospital in the Yuan Dynasty.
Guan Hanqing had intercourse with drama playwrights such as Yang Xianzhi, Liang
Jinzhi and Fei Junxiang, etc.
A playwright of the Northern Drama, he is
credited with more than 64 plays, of which some 15 have survived complete. His
most famous work is Dou E Yuan (Injustice to Dou E). Apart from his
literary career, he was also said to have been a theatrical manager and sometime
actor.
Guan Hanqing led a dissolute life, spending
much time in places of low entertainment, yet he emerged as perhaps China's
greatest playwright. Acknowledging his bohemian lifestyle, he called himself
"the leader of all loafers in the country," and described himself as a "copper
pea that cannot be crushed."
Dou E Yuan is
based on a Han dynasty folk tale, A Filial Woman of Donghai. Guan Hanqing
used the story as a framework for criticism of the evils of contemporary
society. In her childhood, Dou E was sold to the Cai family to be brought up to
marry their son. Soon after they married, her husband died. Dou E and her
mother-in-law, who had also become widowed, were dependent on each other for
survival. Zhang Luer, a local hoodlum, pressured the pair to marry him and his
father, respectively. When the two women spurned his offer, Zhang Luer tried to
poison Dou E's mother-in-law, but killed his own father by mistake. Zhang put
the blame on Dou E. The muddle-headed local prefect had Dou E flogged, until she
confessed to the murder Dou E was finally executed, and Zhang Luer got off
scot-free.
Facing death, Dou E cried out, "The lives of
the poor, though virtuous, are short, while the evil enjoy prosperous and long
lives. It is unjust. Even Heaven and Earth bully the weak and fear the strong!
The earth cannot tell good from evil, and Heaven has wronged an innocent
person." Dou E's words expressed Guan Hanqing's noble spirit of not yielding to
his own hard destiny. Most Yuan Dramas gave voice to repressed and indignant
feelings -- a natural outcome of the fact that the playwrights were fully aware
of the dark side of the society they lived in.