Of the great poets living in the 4th century
BC, the most famous is Qu Yuan, born in the Chu Kingdom. Qu Yuan and his
follower Song Yu established a new style of poetry -- Chu Ci (literally,
poetry of the Chu Kingdom).
Qu Yuan (340-278BC) was an
important politician in the Chu Kingdom of the Warring States Period (475-221), and
spent his whole life in complicated political conflicts. At that time, Qu Yuan
was aware that the state and families would inavoidably suffer from foreign
devastation because of the domestic troubles and the foreign invasion. He had
been framed by conspirators and couldn't dedicate himself to serve the state.
Full of grief and indignation, he threw himself into Miluo River on 5 of the
fifth month in lunar calendar.
As the first great patriotic poet in the
history of Chinese literature, Qu Yuan composed 25 poems including Lament on
Encountering Sorrow, The Nine Songs (11 pieces), Asking Heaven,
The Nine Elegies (9 pieces), The Far-off Journey Divination, and
The Fisherman.
Lament on Encountering
Sorrow is Qu Yuan's classic work, which is also the earliest
long lyric poem in China. The poem resolutely uncloaks the repulsiveness
of the ruling class by deploying a series of metaphors, and at the same
time portrays some upstanding models who adhere to justice and who are unafraid of
persecution and very devoted to their country and people.
Lament on Encountering Sorrow
is a romantic lyric poem with a measured realism.
The poet utilizes a great deal of exaggeration in portraying characters and
describing objects. The assemblage of fairy tales further enhances the poem's
romantic flavor Metaphors are lavishly laid out in Lament on Encountering
Sorrow, for example, a fragrant plant is compared to people's uplifting
qualities, the love between an man and woman is likened to the relationship
between an emperor and his subjects, and the reins of a horse akin to the
management of a country. The form of Lament on Encountering Sorrow comes
from its origins in local oral traditions, and its very concise language echoes
the many dialects of the Chu Kingdom. Qu Yuan's works are rich, full of profound
ideas, and bold and unrestrained vigor, having far-reaching influence on the
works of the later generations.