China is an old nation, and its ancient
mythology is very rich and colorful. Pre-Qin books such as Shanhaijing
(The Classic of Mountains and Seas), Zhuanzhuan (The Zuo Commentaries),
Guoyu (The Discourses of the States) and Chuci (Poetry of the Chu
Kingdom), etc., recorded many famous ancient fables.
Among them, Shanhaijing, a major source of Chinese
mythology, brings together a treasure trove of rare data and colorful fiction
about the mythical figures, rituals, medicine, natural history and ethnic
peoples of the ancient world. It narrates episodes of 204 mythical figures,
notably the gods Foremost, Fond Care, and Yellow, and goddesses like the
fearsome Queen Mother of the West and the doomed Girl Lovely, the nurturing
solar and lunar goddesses, and many others. This eclectic collection also
contains crucial information on early medicine (with cures for impotence and
infertility), on omens to avert catastrophe, rites of sacrifice, and familiar
and unidentified plants and animals. It offers a guided tour of the known world
in antiquity, moving outwards from the famous mountains of central China to the
lands "beyond the seas."
Shanhaijing is regarded as one of the most important collections of Chinese
mythologies. From this collection and other ones, scholars and critics have
written about the special features of Chinese mythology.
China's mythical stories, either those
created by the primitive people or those written by later scholars, are full of
human feelings. Gods, ghosts, foxes and spirits are commonly described as living
things with human qualities and human feelings. Chinese inventors of myths
describe gods the way they describe man, or treat them as if they were human,
and endow them with human nature.
Chinese ethnic minorities also have their
own fables full of national flavor. Mythology holds an important position in the
history of literature. It is one of the early types of literature that had
influence on various Chinese literatures. Quite a lot of fables provide direct
materials for writers and artists. The rich imagination and visualization of
mythology are the origin of artistic makeup and romantic creation methods of the
later generation writers.