Shen Zhou (1427-1509), a famous
painter of the mid-Ming Dynasty (1368-1644), was the founding father of the
Wumen School. Shen styled himself after (Qi)nan,
with sobriquet Shitian and later Baishi Weng, or Yutian Weng. People referred to
Shen as Baishi Xiansheng.
A native of Suzhou City in South
China, Shen was born into an intellectual family. His
great-grandfather was Wang Meng's good friend; his father, Hengji, was a student
of the painter Du Qiong. Both his father and uncle were known for their poems,
prose, calligraphy and paintings. Shen was fond of reading, writing poems and
painting all his life in his pursuit for spiritual liberation. He was well
learned and had made many friends.
Scholar painting underwent important
developments during the Yuan and Ming Dynasties (1279-1644). Learning from Huang
Tingjian, Shen became a distinguished painter who specialized in depicting
landscapes, flowers, birds, as well as figures. Most subjects in his landscape
paintings were the mountains, bodies of water and gardens of South China, which revealed the leisurely
life of scholars of that period. Shen drew from the styles of Dong Yuan, Ju Ran
of the Five Dynasties (907-960), Huang Gongwang, Wang Meng and Wu Zhen of the
Yuan Dynasty (1279-1368), as well as from other famous painters of the Southern
Song Dynasty (1127-1279). Shen formed his own style using thick-stroke ink and
wash. Having created many small paintings before the age of 40, in his later
years Shen switched to big landscape paintings. He painted with a prudent style,
using placid strokes in his middle age, which became unrestrained and
magnificent.
Various techniques can be seen in
Shen's paintings. As the leader of the Wumen School, he developed
the techniques of freehand brushwork of landscape painting and flower-bird
painting. Most of his works were collected by large Chinese museums. Some
important works at the Palace Museum of Beijing include
Fang Dong Ju Shanshui Tu, Cangzou Qutu, Zuyi Tu, Mocai Tu,
Woyou Tu, etc. Some other top-quality works can be found at
Nanjing Museum, such as Dongzhuang Tu and Mudan.
There are two paintings by Shen at Liaoning Museum: Appreciating Chrysanthemum Grown
from a Flowerpot and Mist-Covered Waters and Mountain Ranges.
Produced by Shen two years before his death, the two works were painted using
freehand strokes.