China is a
multi-ethnic country. Since 1979 with the rapid development of our national
economy and the improvement of the living standard of the people, minority drama
has also flourished. A number of well-received minority plays were produced and
quite a few won the Cultural New Drama Award. The award winners include
Battle at the Potala Palace (performed by Tibet Autonomous Region Drama
Troupe), Female Village Head (performed by Ningxia Hui Nationality
Autonomous Region Drama Troupe), A Hairless Dog (performed by Yanbian
Drama Troupe of Jilin Province), Hello, Standard-Bearer (performed by
Inner Mongolia Autonomous Region Drama Troupe).
Many people know the grand Potala Palace, but few have ever heard of what
happened 300 years ago there: A group of Tibetan monks headed by Sangs-rgyas
rgya-mtsho made great contribution to the extension of the holy palace. Based on
this, Battle At the Potala Palace presents the audience with a gripping
story filled with rich religious colors.
The success of the play rests with its
description of the reincarnated soul boy who was tired of religious affairs and
missed the worldly love after entering the Palace as the successor to the fifth
Dalai Lama. This resulted in a conflict between him and Sangs-rgyas rgya-mtsho
who thought him unfaithful and profane. This also symbolizes a conflict between
humanity and deity. At the end of the play, the soul boy was exiled while
Sangs-rgyas rgya-mtsho was murdered by Lha-bzang Khan. To commemorate the
latter, the Tibetan people constructed a pagoda. The sixth Dalai Lama also came
to mourn for this Tibetan political leader and script researcher. He felt
confused and worried about his own future. However, he wrote many popular love
songs that were collected and published by the late generations.
-- Battle At the Potala Palace
The story plot unfolded in flashback. In the
early years of the Qing Dynasty (1644-1911), the fifth Dalai Lama died. A
funeral ceremony should have been conducted and a reincarnated soul boy should
have been found and reported to the central government for approval. However,
faced with domestic trouble and foreign invasion of the Ladakhi and the Mogolian
Lha-bzang Khan, Sangs-rgyas rgya-mtsho, the minister regent of Tibetan regime
decided resolutely to conceal the news of Dalai Lama's death and accomplished
the extension of the Potala
Palace in the name of the
deceased Dalai. Moreover, he had also done a lot of work in collating Buddhist,
Tibetan scriptures and historical data.
As the curtain rises, it was already 15
years since the death of the fifth Dalai Lama. Emperor Kangxi (reigned
1661-1722) was incensed at the deception and sent an imperial envoy to
investigate the case. Flashback started from the investigation and a
soul-stirring story was told about what had happened in the period. First,
Lha-bzang Khan broke into the Potala Palace and requested
audience with Dalai Lama. Sangs-rgyas rgya-mtsho detained Lha-bzang Khan by
ordering an adjunct to pretend the Living Buddha, thus avoiding a crisis.