The 1930s was a decade of misery in Chinese
history. On one hand, the national conflicts raged because the September 18
Inccident took place in 1931 and the Japanese army invaded and occupied the
northeastern part of the country; on the other hand, the class conflicts also
became fierce and the revolt against capitalists and landlords by workers and
peasants occurred like rising wind and scudding clouds.
It was in this tense period the Chinese
Workers and Peasants' Red Army established quite a few drama troupes in the
army, most prominently, the Soldiers' Drama Society and the Combat Drama
Society.
-- Soldiers' Drama Society
The Soldiers' Drama Society was established
in 1930 in the southern province Jiangxi. Nie Rongzhen (political commissar of the corps) and Luo Ronghuan
(director of the political department of the Red Army) were among the main
organizers. The society in the beginning was just a propaganda team to inspire
and raise the masses' consciousness.
At that time, performances of the Soldiers'
Drama Society mainly consisted of lectures accompanied by singing Red Army songs
and folk ditties. During the Spring Festival of 1933, the soldiers staged a
four-act play entitled The Snow of Lushan Mountain. Some other
performances such as August First directed by Luo Ruiqing, The Last
Resistance produced by Luo Ruiqing and Fight Back To Lushan Mountain
produced by Hu Di, were also well received. In these plays the actors and
actresses were all from the Red Army, from commander to soldiers.
The Soldiers' Drama Society took part in the
Long March and their performances were well-received during the march. Even
after the arduous trek, their propaganda was never relaxed.
-- Combat Drama Society
The Combat Drama Society was established
during the Long March in July, 1936 and named by He Long, general commander of
the Second Front Army of the Chinese Workers and Peasants' Red Army.
As soon as The Xi'an Incident happened, the
society wrote and staged a play Capture Chang Kai-shek Alive. Then the
Anti-Japanese War broke out. The Combat Drama Society went to the front line and
organized a series of propagandistic activities in the mid-west anti-Japanese
bases of China. Their
performances, such as Harvest, Flood, and The Trilogy of Yellow
River, were a reflection of the life in the front line and all well
received.