My Memories of Old
Beijing, a feature film based on Lin Haiyin's novel
of the same title and directed by Wu Yigong in 1982, is called a prose-like film
for its unique artistic pursuit.
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| A scene from My Memories of Old
Beijing
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The film shows the society and the miserable life of
the people in the 1920s in Beijing through the eyes of a naive girl. The film is
uniquely arranged. Instead of organizing the plot with a beginning, development,
climax and conclusion, it features a keynote of sorrows and yearning for the
past and a string-styled plot that links three separate stories. Like a
multi-faceted mirror, it reflects the historical scenes from different angles.
The film goes like this:
More than half a century ago, Lin Yingzi
came to Beijing from Taiwan with his parents. They lived in a lane in the
southern part of the city. As a little girl from south of China, Lin Yingzi is
curious about everything here: dilapidated city walls of the ancient capital,
ringing bells on a camel's neck, busy streets and side lanes.... The mad woman
at the door of a guildhall, her playmate Niuer who was mal-treated, the thief
hiding himself in a deserted courtyard, Amah Song who was a wet nurse in her
family and her loving father who was seriously ill and died in the end... all
these people had either played, talked, laughed or lived with her. However, in
one way or the other they had quietly left her one by one. Now they only live in
her memory. Why is the world full of miseries? The naive girl Yingzi thinks hard
but cannot find the answer. It is over fifty years since then, Yingzi is an old
woman now. Though far away from Beijing, she never forgets this period in her
life. Her heart is heavy, and she is homesick again.
The film has its content centering on the
characters' psychology and supplemented with music; an artistic form of
expression featuring a gentle rhythm, symbolism, implication, comparison, and
repetition; and a tranquil, concise conception similar to a Chinese wash
drawing. In 1983, the film won the Best Director Prize at the Third Golden
Rooster Awards and the Best Feature Film Golden Eagle Prize at the Manila
International Film Festival.