Premiered in 1965, The White Haired
Girl is a significant Chinese ballet, created by Hu Rongrong (1929- ), Fu
Aidi (1936- ), Cheng Daihui (1932- ) and Lin Yangyang (1939- ).
The White Haired Girl was adapted
from the opera of the same title. The story was about Xi'er, the daughter of a
poor farmer. To pay the debt of the family, she was sold to the despotic
landlord Huang Shiren. After suffering enough she fled into the deep mountain.
Living for many years in the mountain without adequate food, Xi'er's hair turned
white and she became known as the White Haired Goddess by those who didn't know
the truth. Fortunately, Xi'er was rescued by the Eighth Route Army at last and
was fortunate enough to be reunited with her lover Da Chun, who had become a
soldier of the Eighth Route Army.
The opera White Haired Girl moved
millions of Chinese to tears with this true story that castigated the old
society, which turned humans into ghosts and celebrated the liberated society
that turned the ghosts back into humans.
In adapting the opera into a ballet, much
emphasis was put on creating something new rather than simply sticking to the
settings of the original work. The elements of Chinese classical folk dances
were wisely employed to create a new ballet, and each development in the story
was unfolded by a perfect combination of realism and romanticism. Each character
on the stage impressed the audience with its uniqueness: the innocent, sweet
Xi'er and the tough, persistent White Haired Girl; the honest and sincere
Da Chun and his valor and competence after joining the army; as well as the
sinister landlord Huang Shiren.
China began to create its own ballets in
1964. The White Haired Girl was listed as one of the Dance Classics of
the Chinese Nation in the 20th Century. It and another Chinese ballet,
The Red Company of Women, were regarded as milestones in the development
of Chinese ballet. They represent the idea of "making foreign things serve
China". The two ballets have become important components of the world's ballet
collection with their distinctive Chinese characteristics. The collective wisdom
of Chinese ballet professionals made up for their lack of experience and helped
speed up the development of Chinese ballet and elevate the work to a higher
level.