Pillows are necessities in people's daily life. Chinese ancient pillows were first made of natural stones and later the materials used extended to wood, jade, bronze, bamboo, porcelain and so on. Among all these pillows, porcelain pillows were most widely used. Just like other daily-used pillows, porcelain pillows came into being with the development of porcelain-making crafts.

Porcelain pillows first appeared in the Sui Dynasty (581-618) and their mass production began in the Tang Dynasty (618-907). Porcelain pillows reached the climax in terms of production and use in the Song, Jin and Yuan dynasties (10^th-14^th century) and gradually phased out in the Ming and Qing dynasties (1368-1911) with the emergence of better pillow-making materials.

In the development of porcelain pillows, the ones made in Cizhou Kiln in the north during the Song Dynasty (960-1279) were the most representative. Porcelain pillows produced in this period feature a great variety and elegant modeling, including the geometrical shape, animals, architectures, human figures and other shapes. They also have colorful decorative patterns, and usually included the patterns of animals, plants, human figures, mountains and waters, and characters, etc. The modeling and decorative patters on the pillows directly or indirectly reflect the culture, customs, fashions, and pursuits of the social life at that time.

Decoration techniques of porcelain pillows were different from each other in accordance with different dynasties and producing areas. Before the Tang and Five Dynasties period (7^th -10^th century), porcelain pillows were mainly of module imprint and careful carving; in the Song and Jin period (10^th-13^th century), porcelain pillows featured paintings and more complicated decoration techniques. With further improvement of porcelain-making skills and decoration techniques, porcelain pillows demonstrated more and more beautiful arts and crafts.

Besides Cizhou porcelain pillows, many well-known kilns in different places of China all ever produced fine porcelain pillows, which featured different designs and decorations of glaze and lines and whose styles as a whole were consistent to their corresponding dynasties and characteristics of kilns.